Ariën Artists - Eve-Maud HUBEAUX - English biography
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>> CALENDAR 2019/20

In no time this multiple Prize Winner appeared repeatedly in major theatres such as the Paris opera houses: Bastille, Opéra Comique and Théâtre des Champs Elysées, next to the opera houses of Strasbourg, Lyon, Basel, Brussels, Montpellier, Lausanne, Frankfurt, Klagenfurt and the Festival of Aix-en-Provence.


After her successful debut last Summer at the Salzburg festival as La Sphinge in Georg Enescu's opera OEdipe, Eve-Maud Hubeaux will now embark for the International George Enescu Festival where she will appear with Les Talens Lyriques under Christophe Rousset in two Haendel parts : Nerone in Agrippina and Cornelia (role debut) in Giulio Cesare. The latter production to be revived at Théâtre des Elysées Paris and Ambronay Festival (September 2019). Subsequently she will sing Suzuki (role debut) in Madama Butterfly and Tebaldo in Don Carlo at the Paris Opera house. Again at the side of Christophe Rousset and his Talens lyriques she will revive Isis by JB Lully (title-role) at Théâtre des Champs Elysées, the Royal Opera House of the Versailles Castle and later on at Theater an der Wien (house debut).

Other upcoming new roles are : Isolier in Le Comte Ory (Opera house of Toulon) and the Queen and Witch in La Carmélite by Reynaldo Hahn at Capitole Toulouse.

In concert she will take part in : Rossini's Messa di Gloria at La Seine musicale Paris with Insula Orchestra and Choeur Accentus, under Speranza Scappucci, in J.S. Bach's St John's Passion with Les Musiciens du Louvre under Marc Minkowski and again in Verdi's Requiem with MusicAeterna under the baton of Teodor Currentzis, at the Baden-Baden Festival (May 31, 2020).

Another highlight is definitely her debut at the famous Savonlinna Opera Festival 2020, where she will appear in one of her preferred roles : Carmen.

2019 was marked by her outstanding debut as Queen Gertrude in Hamlet (Ambroise Thomas) at Liceu Barcelona. A role she has meanwhile made her house debut at Deutsche Oper Berlin). Also noteworthy were her Brangäne in Tristan und Isolde at La Monnaie Brussels next to her debut in Nerone in Agrippina at Klangvokal Dortmund and Handel-Festspiele Halle and in the title role of Isis/Io by JB Lully at the Festival of Beaune, with Les Talens lyriques under the baton of Christophe Rousset. Equally noteworthy, were Eve-Maud Hubeaux' earlier appearances in Verdi's Requiem under Teodor Currentzis' baton in Luzern (Easter Festival) and at the San Marco Basilic in Milano, where the Requiem was ever premiered. The latterperformance was recorded and broadcast Live ! on MEZZO.


included two most succesful role debuts : Eboli in Don Carlos under Daniele Rustioni (directed by Christophe Honoré) at the Opera house of Lyon >> read the reviews ... and Léonor de Guzman in La Favorite by Gaetano Donizetti at Liceu Opera Barcelona, also her debut in the House. The more she participated Don Carlos (Thibault) under Philippe Jordan (directed by Krzysztof Warlikowski) at the Paris Opera house, Le Comte Ory (Dame Ragonde) under Louis Langrée (directed by Denis Podalydès) at Opera Comique Paris and ROH Versailles, The Rake’s Progress (Baba the Turk) directed by Lydia Steier at Theater Basel and a live recording of Ascanio (Scozzone) a rarely performed opera by Camille Saint-Saëns at Palais des Nations in Geneva. Noteworthy as well is her participation in Rinaldo (Armida) together with Kammerorchester Basel under the baton of Christophe Rousset.

Recent concert productions included Mahler's 2nd Symphony under Karel Mark Chichon at Auditorio Alfredo Kraus in Las Palmas, La Veille by Matthijs Vermeulen with the Radio Philharmonic Orchestra Hilversum under Kevin John Edusei, Rédemption by César Franck with the Royal Philharmonic Orchestra of Liège under Hervé Niquet (+ CD recording), Verdi’s Requiem at Palais des Beaux Arts (Brussels) and in Rossini’s Petite Messe solennelle (at Capitole de Toulouse, house debut)



First professional engagements included Mercedes in Carmen and Ines in Il Trovatore at the Opera Houses of Lausanne and Vichy. Joining the Opera Studio of the Strasbourg Opera House (ONR), Ève-Maud Hubeaux participated in several main productions. Soon she gets noticed by the Frankfurt Opera House and the famous Aix-en-Provence Festival. She returns to ONR to sing subsequently Folia in the world première of La nuit de Gutenberg by Philippe Manoury, 3. Dame (Die Zauberflöte), Mary (Der Fliegende Holländer) and Pauline (Pikovaya Dama). Lausanne offers her to debut as Frau Reich (Die lustige Weiber von Windsor).

Breakthrough in other important Opera Houses such as Lyon with Mary (Fliegende Holländer) and La Monnaie Brussels, where she takes part in the world premiere of Penthesilea (Oberpriesterin) by Pascal Dusapin. Subsequently she returns to Strasbourg to revive Penthesilea, makes her debut in Carmen in Klagenfurt under Lorenzo Viotti, rejoines the Monnaie, this time to sing Ursule (Béatrice et Bénédict) under Jérémie Rhorer and makes her successful Paris Opera House debut as Annina in Rosenkavalier, led by Philippe Jordan (May 2016).

Highlights of the past season 2016/17 included most successful role debuts as : Brigitta (Die Tote Stadt) and La Nourrice (Ariane et Barbe-Bleue by Paul Dukas) at Theater Basel (House debut), Andromaca (Ermione, Rossini) and Brangäne (Tristan und Isolde) both at Lyon Opera (including a guest performance of Ermione at Théâtre des Champs Elysées, Paris) and eventually Margret (Wozzeck).


During the Wagner anniversary year 2013, Ève-Maud Hubeaux toured both with l’Orchestre national d’Iîe de France (Enrique Mazzola) and l'Orchestre symphonique de Mulhouse (Patrick Davin) in Wagner's Wesendonck-Lieder. Other concert highlighs of the past years include concerts with Brussels Philharmonic (Leo Hussain) in Bach's Matthew Passion, Turku Philharmonic Orchesta (Ville Matvejeff) in Janacek's Glagolitic Mass, Aedes Choir in Rossini's Petite messe solennelle, Orchestre de Chambre de Genève (Arie van Beek) in Wagner's Wesendonck-Lieder and with the Philharmonic Orchestra of Strasbourg in Les Nuits d'Eté (Berlioz). Eve-Maud Hubeaux concert repertoire embraces furthermore : Dvorak's Requiem, Mahler's Das Lied von der Erde (which she recorded under Jean-François Verdier), Haendel's Messiah, Verdi's Requiem, Debussy's Le Martyre de Saint-Sébastien next to La mort de Cléopâtre (Berlioz) and Poème de l'Amour et de la Mer (Chausson).



New release : Penthesilea by Pascal Dusapin (role of the Oberpriesterin). Recorded at La Monnaie for the Label Cypres.

The artist also appears as Waltraute in Walküre (Wagner) in the recording of the Frankfurt Opera House ; as contralto in Das Lied von der Erde (G. Mahler) under Jean-François Verdier ; Scozzone in Ascanio (Saint-Saëns) under Guillaume Tourniaire and Dame Ragonde in the dvd of Comte Ory (produced at Opéra Comique).

Futures releases will include : Rédemption (César Franck) under Hervé Niquet with the Royal Philharmonic Orchestra of Liège ; Isis/Io in Isis (J.B. Lully) with les Talens lyriques under Christophe Rousset ; the mezzo part in Verdi's Requiem with MusicAeterna under Teodor Currentzis and as Queen and Witch in La Carmélite by Reynaldo Hahn, to name just the short time projects.


Cradled from childhood by her inspiring teachers at “Institut Jacques Dalcroze”, Ève-Maud Hubeaux (born in Geneva), decided to pursue her musical education at the “Conservatoire de Lausanne” where she was taught piano with Daniel Spiegelberg and Georgy Popov. Attracted to opera, she started in 2001 her vocal education with Hiroko Kawamichi at the “Conservatoire de Lausanne”.  At the same time she earned a Master’s degree in Law, though driven by talent and passion she decided to focus completely on her singing career. She joined the opera studio of Colmar/Strasbourg, and from there developed the buildout of her international career.


Ève-Maud Hubeaux was awarded with the “Prix Jacquart” in 2004, Prix De Crouzaz” in 2006, she was also granted a special Award for her great performance at the “Schlossoper Haldenstein Contest” and won 2 Prizes at the International Singing Competition Ernst Haefliger (2010/Switzerland) ;amongst them an engagement at the Operahouse of Bern. Furthermore she got a Special Grant for "Bayreuth 2011" presented by the Alsace Richard Wagner Association. June 2011, she won the "Prize of the Jury" as well as the "Prize of France Musique" (within Gaelle Le Gallic emission radio show"Génération Jeunes Interprêtes") at the international singing competition of Arles. The jury of the 66th Competition of Geneva recently awarded her the Special Wagner Prize « Cercle Romand Richard Wagner » for the best interpretation of a work by Wagner.  In April 2012 Ève-Maud Hubeaux was for the 2nd time awarded by the Jury of the "Pour-cent-culturel Migros Fondation" competition, besides a bursary, she was also called “Soloist of “Migros culture Percentage”, amongsts the highest and most prestigious awards in Switzerland. The same year she was called "Classical revelation 2012" by ADAMI, became finalist of the International Bellini Competition of Catania 2012 and got the 3rd Prize at the International Competition of Toulouse (2012) and at Premio Etta Limiti Opera in Milano (2013). Eventually she was awarded with the Second Prize and the Kirsten Flagstadt Festival Grant at the 32nd Hans Gabor Belvédère International Singing Competition at Muziektheater Amsterdam (July 2013) and was called by unanimity of the international jury Winner of the 5th Edition of the Renata Tebaldi Iinternational Competition. Beside the First Prize the jury at the Renata Tebaldi Competition awarded Eve-Maud Hubeaux as well with the Special Prize for the youngest participant.

Since 2014, Ève-Maud Hubeaux is supported by the Safran Corporate Foundation for Music.


Cv-update: September 2019. Please contact the Agency, to get the most recent version of the present biography, or its short version.

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